Program Schedule
| 6:30pm | Opening Night Reception |
| 7:30pm | Screening: The Apartment (1960) |
| 9:00am | Morning Sessions |
| The Motion Picture Film Lab: “Past, Present and….” | |
| The Academy Digital Source Master: A Future-Proof Deliverable | |
| Break | |
| Burden of 10k Dreams | |
| So Many DETOURs: The Long Road to Restoring a Film Noir Masterpiece | |
| 12:45pm | Lunch Break |
| 2:00pm | Afternoon Sessions |
| The Art of Subtitling | |
| Case Study – Restoration of the Dunning Color Process | |
| Break | |
| Machine Learning “Frame Compare” Engine for Restoration and Remastering | |
| 6:30pm
|
New York v. New Orleans: The Great Cannoli Showdown! New York Cannolis and New Orleans Cannolis, plus Italian Desserts from our friends at DJ Audio, Swelltone Labs and Audio Mechanics |
| 7:30pm | Screening: Bicycle Thieves (1948) |
| 9:00am | Morning Sessions |
| Intertitle Recreation: New and Persnickety Methods | |
| Mold Happens! | |
| Break | |
| The Kinemacolor Digital Restoration | |
| Mass Digitization Challenges and Solutions | |
| 12:45pm | Lunch Break |
| 2:00pm | Afternoon Sessions |
| The “Nitrofilm” Project: New Technologies and Practical Solutions for Digitization and Preservation of Optical Sound on Nitrate Films | |
| Understanding the History, Techniques, and Tools of Stereo Film in the 1950s and 60s to Optimize Presentation and Restoration | |
| Break | |
| Preservation Beyond the Final Feature: A Discussion Moderated by Andrea Kalas with Craig Barron and Ben Burtt | |
| 7:00pm | Coffee and desserts |
| 7:30pm | A Sneak Preview of a Classic Sci-Fi Restoration |